Frequently Asked Questions

Yes, but it will be yours. Same cinematic broadcast feel, completely different cast of characters, stories, photos, course, and questionable decisions.

Think of it like a great song. A lot of great songs are built from the same handful of chords. Same building blocks. Completely different song.

You give us the people, stories, photos, course, and trip details. We send that material to the Writers' Room to create the screenplay. Your Commissioner reviews and approves it. Then the approved screenplay goes to the Studio, where the film is produced.

Everyone gets their own private scouting link. Tell us about yourself and tell us about your buddies. We take that material into the Writers' Room, where it helps shape the screenplay, player personas, jokes, narration, and skits.

The Writers' Room turns everything your group submits into the screenplay for your film. Stories go in. Broadcast drama comes out.

The Studio takes the approved screenplay and produces the actual film, including the visuals, narration, skits, player cards, course shots, and final broadcast.

Quite a bit. Your players, stories, scouting material, photos, course, trip details, and inside jokes shape the film. You bring the ingredients. We make the show.

Both. Tell us about yourself and submit stories about the other guys. Then the Writers' Room decides how everyone deserves to be portrayed.

No. What happens in scouting stays in scouting. We use the material, not the source.

No. We can still make the film without everyone participating. But more participation means more stories, more inside jokes, and a better film. Give the Writers' Room some ammunition.

The standard format includes up to four featured player skits. Want more? Additional skits will be available as an option. Who gets the starring treatment depends on the photos, consent, and material available.

Yes. Playing members are included through skits, player cards, narration, photos, or other broadcast elements. Not everyone gets their six seconds of fame the same way.

Totally fine. Starring roles are optional. Declining one does not hold up the film.

Yes. Send us good photos of the course and the Studio uses them as visual references. The more we know what the place actually looks like, the more your film feels like your trip.

You send us course photos and the Studio uses them as references to create cinematic course imagery. No drone crew required.

No. Good phone photos work great. Clear faces for players and good wide shots of the course are much more useful than fancy photography.

Wedding toast mean. Not celebrity roast mean. We want the guy getting roasted to laugh too.

No. We can exaggerate the truth for comedy, but we do not invent personal facts about real people. Your group will give us plenty to work with.

Yes. The Commissioner reviews and approves the screenplay before it goes into production. Nothing goes to the Studio until the Commissioner gives it the green light.

Not much. Get the group set up, encourage everyone to participate, provide the important trip material, and approve the screenplay. You are the Commissioner, not the video editor.

Your group. Different guys, different stories, different rivalries, different course, different disasters. The broadcast format is ours. The nonsense is entirely yours.